Hardware & Software Recommendations

  • This topic has 23 replies, 17 voices, and was last updated 10 months ago by David Goldberg.
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  • #15497
    David Goldberg
    Edge Studio Staff

    Need a little advice on picking out the right mic? Or, having trouble finding the DAW that works best for you? This is the perfect Forum to ask other members of the community their advice! See if they know about a product that may be a better fit for your voice and technical skills.

    Remember, this is a community forum that is centered around positive reinforcement – it’s not a place to criticize other people. Please do not post negative reviews of other products or services; let’s keep things positive!

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  • #84922

    I’ve been finding myself traveling a lot this year but am worried about taking my equipment since I’m not sure if it’ll last as long with the constant travel.

    Anyone have recommendations for a more travel friendly solution to packing up all my equipment for each trip? (Preferably one that doesn’t require an interface?)

  • #84666

    Hi All – looking for affordable Mic & portable booth suggestions. I currently use a Blue Snowball ice mic, which I’m looking to upgrade from (but not break the bank expensive). In regards to a portable booth – I’m currently in a NYC Apt with no closet space to create a booth. So I’m looking for affordable suggestions on how to create a portable booth to work out of/minimize background noise. I’ve looked at the small box style “booths” that cover the mic and head for recording, as well as somehow creating a pop-up booth that can easily break down to store when not in use (although I have limited space for this, and really want something that would be easy to set-up/take down). Not sure which would be best to go with however.

    Thanks for any suggestions thrown my way!

  • #80696

    this is actually very nice platform

  • #78388
    Gracie Vaughn

    Additionally, Kevin, Edge’s audio engineer, can likely respond more succinctly if you ask your student advisor to ask him.
    magento 2 migration service

  • #75324

    This is really good platform for everyone.

  • #71651

    Hello, all. I’m in the process of acquiring the equipment for my home studio. I got the mic, the computer, but I’m having trouble finding the third essential ingredient: a good AD/DA audio converter. The class I took recommended one with a mixing n*b for going between the input sound and the DAW sound, but none of the local shops have anything like that and searching online has been a real bear. Anyone know a good converter rig, or at the very least a better way to look for one? This sole problem is what’s holding me up from finishing my home studio and making a demo.

  • #69872

    Hi, I want to get serious about my Voice Over business and I need a new computer. What are the key specs I should be looking for in purchasing a new laptop or PC?

  • #67197

    Hi all. I’ve been practising VO as a hobby for a number of years now, and in the past year have really focused on getting professional coaching, building a good recording space and having all the right equipment. I recently recorded my first demo through Edge (from my self-built in-home booth) and am now about to start doing auditions. I’m working on the profile I will post at online audition sites, and I see that on a number of them they ask you to identify what you have available to do directed sessions. I’ve done a bit of research into ipDTL and Source Connect, but have a couple questions.

    When we recorded my demo, I know it was done with ipDTL. I haven’t personally purchased the ipDTL software, but does the fact that I was able to do the demo recording from my booth mean that I can list ipDTL as one of my options for a directed recording? I assume that would require the client to have the ipDTL software?

    The Source Connect software is fairly expensive for someone just starting out and not yet making any money (Standard version is a $35/mth subscription or a one-time $650 purchase). I see they offer a 2-day license for $25, so I was thinking I could probably list Source Connect as one of the options I have available, and just get the 2-day license if/when I book a job. Anyone foresee any issues with doing that, at least until/if I start booking enough jobs to warrant subscribing or purchasing? Appreciate your thoughts. Thanks. Toque.

    • #67284

      Someone more qualified please confirm if you do know.

      To my understanding – For ipDTL, the client (ie; you) will always be accessible, where as the host has to worry about the program aspects such as license purchasing and such. So long as you have an ethernet connection and a solid ISP (like you did for the demo), I don’t see why you couldn’t list it in your profile.

      Also, If you ask your student advisor to ask Edge’s Audio Engineer, Kevin, he can probably answer more definitively.

      Personally I wouldn’t invest in source connect until you are coming across clients who need/obligate it and it’s in your range. Voice actors I know who use source connect are established enough that they’ve already invested in the superfancy $1000 Neumann mic and are taking on high profile jobs. By nature, it’s for jobs that require other ears and instant feedback. Again to my understanding, until you’re established and have enough reputation, the kinda work you book will be self directed so don’t over-prepare if your budget is a concern. I can’t say anything about the utility itself or the trial license.

      That’s about all I can say, but yeah, talk to some of the edge coordinators. No offence but a lot of the people participating in our forums don’t have solid experience in the field or have even made a demo (myself included -.-) so we can’t speak from experience.

      Hope that makes sense-
      Alex M

  • #58445

    Reaper DAW is a good product.

    • This reply was modified 3 years, 2 months ago by touzet.
    • This reply was modified 3 years, 2 months ago by touzet.
    • #60019

      Yeah, I love it. Mike Delgaudio (BoothJunkie) did a fantastic job of showing how to streamline the interface for voiceover.

    • #58573

      Thanks, touzet! I will check it out!


  • #58124


    When you’re getting started, and don’t have the financial ability to build a home studio, how does one do Voice Overs? Is it even possible, or am I just out of luck. There are no cheap options for me, as I live in a very hot climate and the building uses window ac units, which are very loud. I can’t afford to completely restructure the AC situation.

    Pretty sure I already know the answer. It’s just not something I can do without waiting a very long time do find some other way to make money, then change my living situation. But I’d love to hear creative options that have worked for others, if such things exist. Thanks.

    • #61670

      I’m late to the party, but check out this amazing booth set up at a “hotel”.
      Booth J****e Hotel Book

      • #64837

        Thanks for this link, I learned a lot.

    • #58748

      You are right be be concerned about the quality of your space. There may be no easy solution, or one of many possible fixes might be to put removable but tightly fitting soundproofing baffles tightly into your window spaces. From your description, most likely it will require a variety of measures, each reducing the ambient sound further.

      Start by researching the h**l out of the subject. There’s tons of guidance from other VO people, materials suppliers and other sources. Don’t bet the farm on any one source’s advice, but you’ll soon get a comprehensive understanding.

      As a start, it is VERY important that you understand the difference between Soundproofing (preventing sound from entering your space and from being created within it (as by a computer fan)) and Sound Conditioning (reducing reverberation and/or controlling sonic qualities within your space). And note that conditioning a space for music is very different from conditioning for VO.

      So if you become a well-trained, qualified voice artist, window air conditioners are probably not an insurmountable obstacle to fulfilling your dream. But know that it may take some significant investment (partly depending on your do-it-yourself skills, and will require knowledgeable planning.

      Maybe even adjustment of your daily schedule. Air conditioners run all day and night, but some noises are occasional. Some genres (e.g., Promo) require very fast turnaround. Depending on a talent’s soundproofing strategy, the talent may not be able to promise same-day delivery. Once when I interviewed an established voice artist by phone, I apologized for my taking so much of her time. She replied, that’s okay, I can’t work right now anyway — they’re mowing the lawn.

    • #58161

      Hi Motarhama22!

      I am currently in the Edge VO Education Program, and at the moment I do not have a dedicated space myself (or a lot up front financially), but that has not stopped me from moving forward with this dream of mine.

      I understand your issue is with the AC unit, and some of these may not help in your case, but I will still pass on the ideas that I have watched, or heard about, to help with noise and/or acoustics.

      On Youtube, there are videos of DIY “booth” projects — I saw one that entailed taking PVC plumbing and using shower curtain clips, sound reduction curtains, or maybe heavy duty moving blankets. Another made a space in the corner of his living room, with a curtain partition, and attached studio acoustic foam on the walls.

      A couple of other ideas is to get a pop up outdoor changing tent, or even a couple of room dividers (creating a “room”, and then putting an acoustic foam panel over the top), and then attaching acoustic foam panels on the inside. I thought about doing the latter with the room dividers. It’s not like they couldn’t be used in the future for what they are actually intended for.

      I have even heard of taking chairs, and making a blanket fort, to cut down on the room acoustics.

      If you have a closet, that works, as the clothes will naturally help with acoustics.

      They do have “isolation chambers” for mics (surrounded by foam, and then an aluminum shell), to help with indirect sounds (such as echoes and noise from fans or air conditioners) and made for spaces (homes, hotels, offices) that are acoustically untreated. This could be an option in your case.

      I am just starting out myself, so hopefully others can chime in with how they began their home “studios”.

      I will tell you that when I started my coaching sessions, my coach asked me if I had any recording equipment, and I said that I did not. And she was like “good, do some research on equipment before you buy.” I have, and then emailed my education advisor, who in return asked the studio engineers their feedback, because they have tested a lot of equipment.

      Many starting out in the VO program, upload their homework to the feedback forum as a recording from a voice recorder on their phone. But, you will need recording equipment, and a sound test, before you can make your demo.

      There are studio equipment bundles for around $250 – $450. It’s a great way to start. That is how I am doing it. If you have not already heard of them, Sweetwater and B&H are great websites for equipment needs when the time comes. Some kits vary as far as included equipment, like shock mounts, pop-filters, headphones, mic stands, or software, but they all have an interface and mic.

      I would recommend signing up for the Home Studio 101 webinar. You do not have to be enrolled in the VO program to take the webinar. Dan, the instructor/engineer for this class, will go over price ranges for equipment. At the end, you can ask questions.

      As I like to look at it, one has to start somewhere. Where there is a will, there is a way!

      One step at a time.

      Good luck!


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