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Hi! Upload your recordings, and get feedback from your peers!
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I’d appreciate some feedback on my natural delivery. Which read sounds more natural? Which one fits best?
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Hi there! Working on my second homework assignment for Narration with a focus on toning down my natural tendency to theatricalize and instead deliver conversational reads. Any feedback greatly appreciated. Thank you!
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Hi Everyone,
Attached are two homework script reads I’m working on to improve my technique. Feedback is greatly appreciated. Areas I’m trying to improve is tone, pitch, and energy from the reading. Thanks in advance to all!
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Hello, friends. Time for me to post my second Edge homework assignment. In this dive into the narration script library, I appear to have found a push-back recording from an American Airlines flight circa 1998, and then something from the Neil deGrasse Tyson version of “Cosmos”, if I’m not mistaken. Thank you very much for listening, and for any honest critique offered in reply!
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The airlines one is great! Your voice is great for announcements… I think you would be great for the voice over the speakers in theater performances.. the intermission/cell phone/take your seat etc announcements.. or the ones between the Grammys/academy awards. The pause between”directly in front of you” and “in your seat back pocket” could be shortened slightly but otherwise, it’s very clear and well paced!
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Really nice reads on both. I liked that your words were clear in both. I would suggest trying a different tone for the American Airlines read from the Cosmos-1 one. The tone you used for the Cosmos-1 sounded really good and I think the American Airlines read gives you more room to raise the energy and change the tone a bit. You can certainly have more fun with the tone/pitch in the American Airlines one. Lastly for both, I think you could pick up the speed of the read a little. Otherwise, very nice!
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Hello everyone, I have another attempt at narration practice for my upcoming demo record. Any feedback is greatly appreciated, have a great weekend!
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My latest and possibly last round of coach homework. It was only now that I realized I’d spent the last 3 months recording next to a ticking clock. I just didn’t notice until I moved my microphone back about 5 inches and caught some of the ticking in my reads. By then, it was too late: I had everything recorded and the levels all adjusted.
So, if I missed any rogue ticking noises, my apologies.
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Just took a gander at your ALA read. While your pitch range was kept tight, I think you could’ve stretched it a little more while still keeping a serious tone. You always want to keep your potential audience engaged. Also, there’s a couple spots where your mic caught your intake of breath.
For comparison, I also listened to your Arby’s read. Perhaps it’s because my initial acting “training” came from mimicking Tim Curry’s performances, but I think you really should work on getting comfortable with a broader pitch range when you record. There’s only a subtle difference in overall tone between the two, which may be what you were going for, but I would think a more obvious difference between commercials would demonstrate a better range of usefulness to a potential client.
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