[David Goldberg]

Hi! Upload your recordings, and get feedback from your peers!

• This topic was modified 4 years, 11 months ago by David Goldberg.
• This topic was modified 4 years, 8 months ago by David Goldberg.
• This topic was modified 7 months, 3 weeks ago by David Goldberg.
• This topic was modified 7 months, 3 weeks ago by David Goldberg.
• This topic was modified 7 months, 3 weeks ago by David Goldberg.
• This topic was modified 7 months, 2 weeks ago by David Goldberg.

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[forever888]

I thought your read was great diction, nice rythm

[forever888]

Please note micropauses and diction

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[ShellyMadison]

Hi there
I’m having trouble opening both of your submissions. I tried on my computer and my phone. It shows as having a length of time but is silent. Very well could be my devices (both Apple) but wanted to alert you in case others are having difficulty too and is robbing you of feedback 🙂

[forever888]

Feedback on micropauses and diction aside from obvious gaffs

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[BrianWigginsVO]

Using the advice in the voice actor’s to-do list that was shared in the recent Edge newsletter, and hoping to get some feedback on some recent auditions.

Audition 1 Specs: Male, 40s-70s. Natural, not commercial. Authoritative. A rich, deep, lived-in voice with some unique character. No southern accents (neutral dialect). Ability to romance copy, create a longing for West Virginia. Multiple scripts.

Audition 2 Specs: Super energetic and exciting, yet friendly – that friend who can’t wait to tell you about something new they tried.

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[Declan Waters]

Hi Brian,

I like the differentiation between the two reads, the confidence in one and the energy in the other.

For Announcer_Brian-Wiggins, it sounds (to me) like some of your words ending in L or vowels like in the word ‘you’ trail off slightly. That’s my only note for that

I liked Fazolis-VO_Brian Wiggins a lot, your read makes me want to try some of that food! When you go from describing the sauces to the cheeses, there’s a bit of a jump in your excitement level where I think it might flow better to have more of a crescendo linking the two parts together, which I can hear a little bit of at the words ‘alfredo sauce,’ but I think it could be even stronger, if that makes sense. Hope this is useful!

[TimberTykes]

Good Evening!

I have here another reading that I recorded for practice.

The more I went over it, the more I realized that this is NOT a conversational piece, despite my treating it as such, lol. I’m looking for clear and concise words, variance and emphasis with the words that matter, and as little awkward pausing as possible.

I appreciate any and all feedback. I know I forget things easily, and it’s honestly the best thing to help me hammer it into my memory. Thanks again!

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[Eliz_10]

Hi Terry,
I really like your pacing on Big-O tires. I understand the increase in volume with the line “Don’t wait any longer” but the volume seems to keep increasing rather than staying at the new level. Other than that, well done!
Regards,
Elizabeth

[Terry Davis]

Thanks Elizabeth. I appreciate your feedback. I will try to keep an eye out for any changes in volume.

[Terry Davis]

Hello All, I would love some feedback on this read for Big O tires. I am working on pacing, amongst many other things. If you could please give a quick listen and reply with some of your thoughts I would greatly appreciate it. Thanks!

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[billmull]

There’s a lot I like about this read such as the energy which is good. I can imagine hearing this as a radio commercial. I suggest, however, to keep working more in the direction of conversational since it sounds a bit like a 90’s announcer style voice over where you’re commanding the listener to do something.

Also, on a technical note, keep in mind that when you export a recording as an MP3 you’re getting a compressed version of the full digital recording. So you need to make sure that you leave some dead air at the very beginning and very end of the recording so that the vocal part of the recording doesn’t get cut off. The vocal got cut off at the very end of your audio file which is due to the fact that there was not sufficient dead air at the end of the recording.

[Eliz_10]

Hi Jeff,
I liked both your Aena and Black Diamond reads I thought you captured the tone of a health advocate in the first demo and the sports enthusiast in the second. Any “criticism” I might have you already covered in your caveats. Good job!

[Eliz_10]

Good morning everyone:
I’m submitting a character read of an Edge Studio script and would love to get some feedback. Please be gentle! Thanks.
Regards,
Elizabeth

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[billmull]

Hello,

Here are two more recordings I would love feedback on.

The audience for “teacher_change” is teachers. The voice seeker provided an audio example of the vocal style they are looking for which is a slow read with long pauses so this is what I was going for.

There was no direction for “world_voices”.

Thanks in advance.

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[Terry Davis]

Bill, good job on both of these reads. You have a good natural flow to the way you speak that sounds personable. For teacher, it’s hard to get an idea of what the voice seeker was going for by asking for a slow read. I think you followed the direction you were given but it seemed slow for my personal taste. I noticed a click sound or some other noise after “imagination” I believe. I was listening through computer speakers at a low volume so I’m sure a seasoned ear would pick that up on headphones. World voices once again showcased your conversational tone which is nice. I did pick up on a lot of “S” sounds throughout the read. I’m not sure if that is an equipment issue or you needing to pay a little more attention to your annunciation on certain words. Overall, great job.

[billmull]

I appreciate the feedback Terry.

Amazingly the sample audio from the voice seeker for the “teacher_change” script was actually slower than how I read. So I was actually concerned that the voice seeker will think I am speaking too fast. I too don’t understand why they want it so slow.

My home studio was recently evaluated by a sound engineer and he gave it very high marks so I can’t blame the clicks and “S’ sounds on the equipment. I made them myself. So it’s good that you brought these issues to my attention.

[Terry Davis]

Bill, if you get a chance could you give me some feedback on my recordings? I submitted a couple late last month and 1 recently. I’d appreciate it. Thanks.

[Author]

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