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Results of Past Contests
Winners • All entries • Prizes • Written assessments • Video-reviews with David Goldberg

For the current contest, click here.

Select a past contest
LaCroix: May 1, 2022 - May 31, 2022
The Roaring Twenties: April 1, 2022 - April 30, 2022
Claritin: March 1, 2022 - March 31, 2022

LaCroix

May 1, 2022 - May 31, 2022
Contest

Voice Direction:

This is a simulated audition for a commercial featuring LaCroix sparkling water. This product is a step above regular water, and the read should feel like a luxurious, sensory, and elevated experience to entice the listener.

Script:

A warm summer afternoon lounging by the pool in a luxurious stupor. You have a thirst for something crisp and refreshing so you reach for a can of LaCroix naturally essenced sparkling water. All you need is one sip, and ahhhh.... pure bliss.

Analysis: Why the Winners Won ... and Why Others Didn't.

Congratulations to our winners, Niki Samnani, Jake Hall, and Carole R Lewis.  They successfully laid back and delivered a persuasive case for soothing spring water. Yet, while laying back, they were also on their toes, with presentations that were crisp and refreshing. Below are a few tips on how you, too, can work in such a position.

Edge Studio VO Tip #1
“Laid back” sounds lazy. But don’t be lazy.  No matter how relaxed you sound, people still need to understand you. So do all the things you’ve learned (or will learn) in basic VO training, about how to speak naturally yet clearly. Enunciate with proper movement of tongue, lips, and jaw. (A lot of people missed on that!) Avoid glottal stops. (That’s a momentary closing of the throat, usually before a starting vowel.)  Glottal stops convey tension. Exactly what the client doesn’t want to hear.

Edge Studio VO Tip #2
Be real.  Simple as that. A fantasy world is nothing if it doesn’t at least seem real. Well, the same is true of a fantasy voice-over read. But some people put on their “fancy voices.” This isn’t a cartoon, and in most cases, we can’t even imagine knowing a real person who talks like that. Here’s the tip: You – your own vocal range and selected personality traits – are, yourself, a character. So rather than effect and affected manner, choose characteristics from your own toolbox that meet the direction for a “luxurious, sensory, and elevated” experience. When you’re in a luxurious situation, encountering sensory input (aromas, music, textures, touch, etc.), and have an “elevated” awareness (or maybe “elevated” means you feel privileged?), how do you sound.  A waiter offers you water, and you’re really thirsty. Now how would you sound? Really.

Edge Studio VO Tip #3
Learn to relax. It will help with all your auditions.  Some people felt like they were putting on their “fancy voices”. Loosen up your body and throat before you record.  There are many ways to do this, too many to list all the tips here. And different techniques work for different people. Find ones that work for you. It may be as simple as closing your eyes and thinking of a quiet place, or someone you love (even if that’s your dog). Or read or get coaching on Alexander Technique.

Edge Studio VO Tip #4
Avoid amateur mistakes.  There are so many ways that an otherwise good audition read can shoot itself in the foot. One is low volume. Even our winners handicapped themselves in this regard.  Volume is the often unmentioned part of your critical “first impression.” Ideally, your final recording (the file you submit) should peak at -3dB.  Louder than that, and you risk distortion (by accidentally exceeding 0dB). Much softer, and the audition listener will need to adjust his or her volume. That annoys the screener, and if they forget to lower it before the next audition, that’s really annoying. And, it’s a simple fact that increased volume just conveys more clarity and energy to the listener’s ear – and mind. But … even our winners’ volume was lower than optimum. First place: Never louder than -7dB.  Second Place: Averaged around -14dB, and often quieter.   Third Place: Even lower, averaging around -20dB.
Other mistakes? Someone submitted three takes, all virtually the same.  Was this a mistake? If not, it showed the talent’s lack of both variety and critical judgment. If a mistake, the reviewer can see the length of the recording. If they spot-check a couple seconds in the later sections, they’ll be unimpressed with the waste of their time.

Edge Studio VO Tip #5
Consider slating after your recording.  The Director’s Notes gave no instruction to slate or not, so the decision to do so was up to the talent. Most people did not slate, and that’s okay. The casting software often displays the actor’s name or username in the player. But sometimes it does not. Or your username might not reflect your real name. And (although rare), sometimes submissions are aggregated into a single file for someone else to review. Slating your name – only your name – can help keep your read from being confused with somebody else’s. But – to avoid annoying a reviewer who doesn’t need to hear it, put your slate at the end.
Winners

1st place winner: Niki Samnani

Judge's Comments

Terrific storytelling, with continually changing emotions.  The combination of these qualities is what makes the storyline interesting, clear, and real. Very nice, and very marketable. However, there are a few moments to touch up.  For one, there’s no P sound on “crisp,” so it sounds like “Chris”.  Also, the pause after “LaCroix” sounds unintentional, which causes her to sound choppy. Choppy reads are rarely desired in the commercial VO industry … and are certainly not desired in this particular commercial, given the Director’s notes.  The recording’s technical quality is good. The combination of good storytelling and constantly changing emotions is what makes the storyline interesting, clear, and real.
Recording submitted by Niki Samnani on 27 May 2022 - 09:27

2nd place winner: Jake Hall

Judge's Comments

Overall we like his voice and energy, and he shows good variety.  But wow, he gives a screener lots of excuses to reject him. Let’s take them in order. There are a number of glottal stops, such as before “afternoon” and “in” and “and refreshing” and “of.” Then, the pause after “crisp” sounds unintentional, and is therefore choppy. Either connect the words (probably best) or add an intentional-sounding pause. But in this case, pausing is illogical – “crisp” could be potato chips. “Crisp and refreshing” conjures up something else altogether. Right after, he pauses after “refreshing,” which makes that section too choppy. Yet another confusing pause: after “can?”  If intended as a dramatic pause, it’s misplaced, because a pause emphasizes the next word. The next word is “of,” whereas if anything should be emphasized, it’s the product name. And last but not least, what’s that noise before “Ahhhh”?  Some on our team thought he’s imitating the sound of an opening can. Others thought it’s a slurp. It’s sort of creative, but weird, since it’s unnatural. Recording is technically okay, except for a tiny hint of resonance, and a very wet “P” sound on “sip,” overshadowed by the slurp.

Recording submitted by Jake Hall on 13 May 2022 - 19:31

3rd place winner: Carole R Lewis

Judge's Comments

Great variety, great timing, great acting. But she hid it with her final file’s volume being too low. Luckily, she slated her name at the start, giving us a moment to turn up the volume, but even at full volume, we might not have caught her name, as she said it too quickly. Without seeing it spelled out, the listener is at a loss. Then, when she began the script, she spoke even faster! The first words (“A warm”) were so quick that we’re not mentally up to speed until the third word (“summer”). And throughout the recording, she slurred many words, further hindering listener comprehension. At the other extreme, she hit the “N” on “naturally,” making it sound like ennaturally … or even unnaturally. If only she had been less meticulous there, and more meticulous with the D sound on “essenced” (which is missing). If she cleans up the few performance things technically, this audition would excel! Technical quality is good, except for the low volume.

Recording submitted by Carole R Lewis on 27 May 2022 - 15:56
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Gwendolen Smith's recording

Recording submitted by Gwendolen Smith on 1 Jun 2022 - 01:05

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Recording submitted by constance nyland on 1 Jun 2022 - 00:48

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Recording submitted by James Tuckett on 31 May 2022 - 15:27