Free Audition Tips

Super helpful, and free!
Email(Required)
This field is for validation purposes and should be left unchanged.

Send a Quick Message

  • We'll reply weekdays 9am-5pmET. Or call us at 212-868-3343. Or email us at [email protected]. Thank you 🙂
  • This field is for validation purposes and should be left unchanged.

PAST VOICE OVER SCRIPT READING CONTESTS
Scroll down to see all entries, winners, prizes, breakdown articles, and The Contest Selection Video with David Goldberg

For the current contest → click here

Select a past contest
Sandals Resorts: July 1, 2021 - July 31, 2021
LG Summer Rebate: June 1, 2021 - June 30, 2021
Lego Creative Builder: May 1, 2021 - May 31, 2021

Sandals Resorts

July 1, 2021 - July 31, 2021
Contest

Voice Direction:

This is a simulated commercial audition for a :15 TV spot for Sandals Resorts that will run on numerous major networks. We are looking for ‘the voice’ of Sandals; one that is personality-driven, one that will stand out, one that will be recognizable, one that listeners will associate with Sandals.  This voice should be smooth and should soothe all the stress out from our guests, while being fun and friendly — like a spirited friend telling you about a super exciting place where you can relax and be transported to a beach on the Caribbean where everything is included. No slate.

Script:

In the Caribbean, there are 5-star luxury resorts that are all-inclusive all the time. Sandals Resorts. Love is all you need. Because everything else is included. All you need to do now is visit Sandals.com.

Analysis: Why the Winners Won ... and Why Others Didn't.

Congratulations to our winners, Ann Kramer, John Watkis, and Michelle Lee. They successfully shared the love for a luxury resort, including everything stipulated by the client’s audition notes.  Here are some tips on how to luxuriate in the glow of your next audition.

Edge Studio VO Tip #1
Carefully consider the audition instructions to be sure you’ve fulfilled all the directives. In this case, the Director’s Notes asked for voice that is fun, friendly, and spirited, yet smooth and soothing. Many people seem to have opted for one or the other. We wanted both.  It may seem that “smooth” and “spirited” don’t go together, but of course they can!  There are many fun, exciting things in the world that are also smooth and spiritually calming.  For example, ice cream, or pudding.  An eager puppy.  Or a day on the beach at Sandals. So here’s the tip: Start by thinking of things, places, or people that typify the qualities you’re after. Now, imagine you’re introducing them to a friend.  It’s all in the mind.
Once you’ve got it, don’t blow it. Three things that will kill that sense of “smoothness” are a rushed read, choppiness, and glottal stops (momentary closing of the throat before an initial vowel).  So read at a considered pace, not too fast. Don’t pause unnecessarily – express full thoughts, not phrases. (And remember, this spot is only 15 seconds!) And avoid tension-inducing glottal stops. Learn to relax your throat.
Edge Studio VO Tip #2
Energy. Commercials call for energy.  As the Notes indicated, this script is a short TV commercial.  Commercials are a very special breed of voiceover – sometimes almost nobody is interested in hearing them. It’s up to you to draw them in.  Consider: A workplace explainer or training video is required viewing. An educational audio tour is something the listener has paid for, because they want to know. But who necessarily stops to listen to a commercial? As we know, they’re widely considered an annoyance.
How do you get folks to listen? Much of the “interest factor” comes from the commercial concept, and the message. But much of it comes from you. Even the most exciting news escapes attention if you sound bored by it yourself.  So, convey your emotion.  The choice of emotion (or a progression of emotions, plural) is up to you. In this case, note that the Director’s Notes stipulate “personality-driven … fun and friendly — like a spirited friend telling you about a super exciting place.”  Yet soothing.
It has to be REAL energy, not a “hard sell.” Some of our auditioners were clearly faking it.  Real energy calls for real emotion.  And it’s even more — real energy is physical.  So, before you read, pump up your brain, your emotions, and (if it will help) your body. Before you start, you might clap your hands, smack your fist in your palm, or hop up and down a few times. But in this case, also remember to be soothing and smooth.
Edge Studio VO Tip #3
Pay attention to detail.  It’s always important, and can make the difference between landing the audition or not. Some details, you might get away with.  For example, should you say “Care-ih-BE-an” or “Care-IH-be-an”?  The audition screener might figure they can clue you if you get the job. But why not sound like you already have a clue? The preferred pronunciation is usually the first one shown in the dictionary. Or listen to some existing Sandals commercials online to see which they use.
Oh, and, again … this is a commercial. Value the client’s name: “Sandals.” Along with an experience, that’s what you’re selling. It must be said with pride, heard, and remembered.
Edge Studio VO Tip #4
Sound like a pro.  We’ve mentioned the avoidance of glottal stops, avoiding unnecessary pauses, and rushing the read.  These are just some of the many clues an experienced audition screener listens for.  There are many others, such as stereotypical or repetitive inflections. (One auditioner preceded her extra pauses with “uptalk” – an exaggerated upward inflection that some people do out of habit: like this: “….luxury resorts? that are all-inclusive??)
There are even some amateurish things that you might think suggest just the opposite.  For example, adding music and sound effects to your audition. Don’t. Even if you are technically able to select and mix it with professional skill, it’s unprofessional unless requested. As a VO professional, you should realize that, above all, the client wants to hear YOU, not your mixing ability. Added sounds distract from your read, and could cover up aspects that they want to hear.
With one exception: audio quality and volume.  In this contest, we allow for the fact that this is a learning experience and some entrants’ recording spaces aren’t yet fully professional quality. And, in a real audition, the client might give you that leeway if the job will be recorded in their studio, not yours. But there’s a limit. If your audio quality is too rough, or if your volume is too low, or it’s really overprocessed or distorted, that could cost you the job.
Winners

1st place winner: Ann Kramer

Judge's Comments

She has everything we asked for, including a smooth and fun personality. But it’s a bit delayed, not coming into play until after the first four seconds.  Some audition casters would hit Stop before hearing it. Yes, in a world where a client must first screen hundreds of submissions, sometimes the screener moves through them very quickly. Recording quality is very good, except that it’s a bit low in level. But, as we’ve mentioned above, in this case, it’s not so low as to rule her out. Another technical note: the exhale at the end of “Caribbean” is abruptly cut off. It’s something only a trained ear would notice, using headphones or in a very quiet space. But when you’re touching up your own audition, it’s something to be aware of.

Recording submitted by Ann Kramer on 26 Jul 2021 - 16:27

2nd place winner: John Watkis

Judge's Comments

Overall he gives us the mix of “calm” and “energy” that’s requested.  But in the “smooth” department, he does himself no favors with huge glottal stops before both instances of the word “all.”  At the other extreme, there are moments where he’s “too casual.”  In particular, he misses the T sound in the second “Resorts,” making it instead sound like “Resource.”  Recording quality is good, but this one, too is a tad low in level.

Recording submitted by John Watkis on 21 Jul 2021 - 14:13

3rd place winner: Michelle Lee

Judge's Comments

Her nice smile fulfills the “fun and friendly” request.  And there’s a nice bit of personality.  She also has the requested smooth voice. But it’s all diluted because her delivery is made choppy both by numerous glottal stops and many unnecessary pauses. To illustrate, the # indicates a long pause that can be avoided, and / indicates a glottal stop.
In the Caribbean, # there /are 5-star luxury resorts that are /all-inclusive # /all the time. Sandals Resorts. ## Love is /all you need.  Because everything else # /is included.  /All you need to do now # /is visit Sandals.com.
Adding to the jumbled effect, she says “Sandals Resorts” as if it’s the start of a sentence. In a commercial, the product name is sometimes simply stated, confidently and proudly. But this delivery is not that, because she ends it on an uptick, not down. We’d hire her only if we were directing her. Recording quality is very good.
Recording submitted by Michelle Lee on 15 Jul 2021 - 23:48
All Entries

To Find A Specific Entry:

On a PC, click “control” and “f” to search for a username

On a MAC, click “command” and “f” to search for a username

Ingrid Pipher's recording

Recording submitted by Ingrid Pipher on 31 Jul 2021 - 01:18

Valita Leigh G's recording

Recording submitted by Valita Leigh G on 30 Jul 2021 - 17:08

Steven Blair's recording

Recording submitted by Steven Blair on 30 Jul 2021 - 15:44

Charles Wyman's recording

Recording submitted by Charles Wyman on 30 Jul 2021 - 15:39

Charles Wyman's recording

Recording submitted by Charles Wyman on 30 Jul 2021 - 15:38

Gene Manning's recording

Recording submitted by Gene Manning on 30 Jul 2021 - 14:59

Shmuel Goldstein's recording

Recording submitted by Shmuel Goldstein on 30 Jul 2021 - 14:31

Shawn Yvette Rountree's recording

Recording submitted by Shawn Yvette Rountree on 30 Jul 2021 - 14:27

SARAH POLEN's recording

Recording submitted by SARAH POLEN on 30 Jul 2021 - 09:55

Vladyslav Popov's recording

Recording submitted by Vladyslav Popov on 30 Jul 2021 - 01:27

Lennie Harrison's recording

Recording submitted by Lennie Harrison on 30 Jul 2021 - 00:44

Boston Moss's recording

Recording submitted by Boston Moss on 29 Jul 2021 - 19:05

Nadia Verde's recording

Recording submitted by Nadia Verde on 29 Jul 2021 - 18:49

Donnamichelle Dixon's recording

Recording submitted by Donnamichelle Dixon on 29 Jul 2021 - 14:11

Brandon Tinsley's recording

Recording submitted by Brandon Tinsley on 29 Jul 2021 - 12:25

Fox Howard's recording

Recording submitted by Fox Howard on 29 Jul 2021 - 01:45

Adrianna Gregory's recording

Recording submitted by Adrianna Gregory on 28 Jul 2021 - 22:20

Diriest Crowell-Buffington's recording

Recording submitted by Diriest Crowell-Buffington on 27 Jul 2021 - 18:54

John Rommel Dimaano's recording

Recording submitted by John Rommel Dimaano on 27 Jul 2021 - 17:01

Erik Stone's recording

Recording submitted by Erik Stone on 27 Jul 2021 - 15:45

Ann Kramer's recording

Recording submitted by Ann Kramer on 26 Jul 2021 - 16:27

Mary Kell's recording

Recording submitted by Mary Kell on 26 Jul 2021 - 02:04

Ryan Bogie's recording

Recording submitted by Ryan Bogie on 26 Jul 2021 - 01:31

Shelly Marckini's recording

Recording submitted by Shelly Marckini on 25 Jul 2021 - 14:34

Ryan Duncan's recording

Recording submitted by Ryan Duncan on 25 Jul 2021 - 10:41

fred jenkins's recording

Recording submitted by fred jenkins on 24 Jul 2021 - 01:23

Theron Wells's recording

Recording submitted by Theron Wells on 23 Jul 2021 - 22:11

Roman Saienni's recording

Recording submitted by Roman Saienni on 23 Jul 2021 - 19:54

Tanya Sudy's recording

Recording submitted by Tanya Sudy on 23 Jul 2021 - 15:22

Tanya Sudy's recording

Recording submitted by Tanya Sudy on 22 Jul 2021 - 18:06

Michael Bush's recording

Recording submitted by Michael Bush on 22 Jul 2021 - 14:08

Robert Broussard's recording

Recording submitted by Robert Broussard on 22 Jul 2021 - 04:35

Jennifer Lozaw's recording

Recording submitted by Jennifer Lozaw on 21 Jul 2021 - 22:30

John Watkis's recording

Recording submitted by John Watkis on 21 Jul 2021 - 14:13

Doc Holiday's recording

Recording submitted by Doc Holiday on 20 Jul 2021 - 11:59

John A Trape's recording

Recording submitted by John A Trape on 20 Jul 2021 - 09:56

DESTRY BOURKE's recording

Recording submitted by DESTRY BOURKE on 19 Jul 2021 - 23:24

Mary Werntz's recording

Recording submitted by Mary Werntz on 18 Jul 2021 - 17:59

Keith Washington's recording

Recording submitted by Keith Washington on 18 Jul 2021 - 17:05

Earl Dixon's recording

Recording submitted by Earl Dixon on 17 Jul 2021 - 04:13

Alexander Maung's recording

Recording submitted by Alexander Maung on 16 Jul 2021 - 22:54

Zhenee Brown's recording

Recording submitted by Zhenee Brown on 16 Jul 2021 - 21:25

Michelle Lee's recording

Recording submitted by Michelle Lee on 15 Jul 2021 - 23:48

Beth Ann Schuster-Moore's recording

Recording submitted by Beth Ann Schuster-Moore on 15 Jul 2021 - 16:00

Tammy Boyce's recording

Recording submitted by Tammy Boyce on 15 Jul 2021 - 15:32

Thomas Dunn's recording

Recording submitted by Thomas Dunn on 14 Jul 2021 - 20:40

Chandra Calvert's recording

Recording submitted by Chandra Calvert on 14 Jul 2021 - 00:35

Chandra Calvert's recording

Recording submitted by Chandra Calvert on 14 Jul 2021 - 00:30

Deanna Gindt's recording

Recording submitted by Deanna Gindt on 13 Jul 2021 - 23:54

Miriam Edwards's recording

Recording submitted by Miriam Edwards on 13 Jul 2021 - 23:49

Gregory Gordon's recording

Recording submitted by Gregory Gordon on 13 Jul 2021 - 12:09

Gregory Gordon's recording

Recording submitted by Gregory Gordon on 13 Jul 2021 - 12:08

Terrell Kennet's recording

Recording submitted by Terrell Kennet on 13 Jul 2021 - 03:58

Stephanie Schneider's recording

Recording submitted by Stephanie Schneider on 12 Jul 2021 - 17:18

Todd Killinger's recording

Recording submitted by Todd Killinger on 11 Jul 2021 - 16:14

WILLIAM SAWYER's recording

Recording submitted by WILLIAM SAWYER on 10 Jul 2021 - 23:04

William Sawyer's recording

Recording submitted by William Sawyer on 10 Jul 2021 - 22:48

Nathan Evans's recording

Recording submitted by Nathan Evans on 10 Jul 2021 - 17:56

Christopher Nelson's recording

Recording submitted by Christopher Nelson on 9 Jul 2021 - 22:54

Steve Nelson's recording

Recording submitted by Steve Nelson on 9 Jul 2021 - 20:25

Tammy McGraw's recording

Recording submitted by Tammy McGraw on 9 Jul 2021 - 04:18

Alexis Malone's recording

Recording submitted by Alexis Malone on 6 Jul 2021 - 20:15

Timothy David's recording

Recording submitted by Timothy David on 3 Jul 2021 - 09:27

Joshua Ausfahl's recording

Recording submitted by Joshua Ausfahl on 2 Jul 2021 - 16:42

Glen Ross's recording

Recording submitted by Glen Ross on 1 Jul 2021 - 18:23

Laxmi S's recording

Recording submitted by Laxmi S on 1 Jul 2021 - 15:11