JohnFinn

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  • in reply to: Feedback Forum #60850
    JohnFinn
    Participant

    Good catch, Mary- “Herndon” and “grieved” blend in my read. That emphasis should help a lot. Thanks!

    in reply to: Feedback Forum #60825
    JohnFinn
    Participant

    Nice reads, all around! I agree with Mary- the tone in the 3rd read is great use of variable tone keeping interest and enthusiasm.

    in reply to: Feedback Forum #60821
    JohnFinn
    Participant

    Hey Touzet-sounds like a great audio book read! I maybe caught something around 1:05 with “this” sounding a bit like “dis”. Tone was right for this read, I wanted to continue to listen past the end of the recording for the rest of the story.

    John

    • This reply was modified 4 years, 1 month ago by JohnFinn.
    in reply to: Feedback Forum #60730
    JohnFinn
    Participant

    I selected this practice script to challenge several areas, especially words ending in “s” and words that begin with hard consonants. All feedback appreciated. Thanks!

    Lincoln: The Untold Stories
    On the night of April 14, 1865, an actor named John Wilkes Booth quietly worked his way through the halls of Ford’s Theater in Washington D.C. President Abraham Lincoln was enjoying one of the first moments of restful entertainment he had experienced since the Civil War began. Then, shortly after 10 P.M. Wilkes slipped into the unguarded presidential box.

    Firing one shot at close range, Wilkes killed the President. A nation went into mourning over the loss of the remarkable man who had reunited a divided country. In the days following Lincoln’s death, his former law partner, William Herndon grieved as he watched thousands of Americans pay their final respects to their fallen leader.

    For seventeen years, Herndon sat across from Lincoln in a series of law offices in Springfield, Illinois — one of which still exists across the street from the old state capitol. But as Herndon perceived the public’s desire to mythologize his former partner, he felt a need to search for the facts and truths of Lincoln’s life…not fictions…not fables.

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    in reply to: Feedback Forum #60728
    JohnFinn
    Participant

    Good work on those, pacing and annunciation are areas to focus on there. Keep it up!

    John

    in reply to: Feedback Forum #60727
    JohnFinn
    Participant

    Thank you! I sheepishly admit that I watched a British lecture about Monet’s Venice and thought I was onto a fancy pronunciation. Lesson learned…

    in reply to: Feedback Forum #60726
    JohnFinn
    Participant

    Thanks! Could you note the words on either end of those pauses you noticed? I’d definitely like to get used to hearing those in my reads. Thanks again!

    in reply to: Feedback Forum #60683
    JohnFinn
    Participant

    Wow- great work with the prior suggestions, one can hear the difference- it sounds great! There are a couple pauses that could use tightening with breathe control in recording or on the editing side. One example might be at the “…sight and sound unheard of,…” there’s a longer pause than maybe necessary between “sound” and “unheard of”. Again, great gains in your recordings from feedback!

    • This reply was modified 4 years, 1 month ago by JohnFinn.
    in reply to: Feedback Forum #60671
    JohnFinn
    Participant

    Hello! This is a read for practice, I’m just starting in VO training. Any and all input is appreciated. Thank you for listening as well as your constructive feedback!

    Script:
    What Monet found in Venice, according to Mirbeau, was a chance to renew himself by tackling the preconceived images of Venice. He no longer hoped to conquer the light, only to “glide” on the surface of the canvas, in the same way that light glides over things or in the same way that “the most intelligent dancer translates a feeling.” Monet’s Venise was celebrated, almost unanimously, as one of the great feats in the history of painting. Up to that point, Monet had never been so unreservedly lauded. The irony is that soon after World War I these much praised Venetian images fell into oblivion, no longer eliciting the sort of praise they had obtained when first exhibited.

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