I’ma be real with you. This is so monotone I felt like falling asleep. I guess a more somber tone is kinda what you were going for? Your voice is good, but you need to emote a bit harder, even if the piece is melancholy. As an exercise, try reading it with uncomfortable excessive amounts of overacting (practically shouting), and then try to go back and read it as normal (and even your own attempt to make it extremely monotone if you want to compare and contrast). It should help you pick up on where you need to breath life in to the read. It doesn’t have to be high strung, but it does need a emotional investment; if that makes sense.
Great job! I guess it would depend on what kind of read you were going for, but your read as-is has a more subdued energy, which I might expect out of the informational kiosks at some museums. Definitely not a bad thing, but of course just to be aware. Your voice has a very nice texture
On the tech side, there’s a few clicks but largely negligable. Overall it sounds like you’re using good mic technique. I will say I can hear a background hum or other steady sound in the background while you’re speaking (I’m assuming you used a noisegate for in-between words) . Obviously I don’t know your situation, but if you are looking to use that booth for your demo then you should ask your coach about it (the noise). It’s not distracting that much, but more keen employeers might pick-up on it.
Fantastic start for a first attempt. I wish my first attempt was as good off, haha.
Hey everybody. Been a while. I did a cold read of this because I just moved and made a new recording space and wanted technical feedback on the room treatment (echo/reverb, warmth, etc). I’ve listened to so samples that I can’t tell what’s normal, haha. The read itself has performative failings because it’s perfunctory, so don’t worry about that. Thanks!
(For veracity, I’ve left the fan noise in the background unedited, but I’m aware its there lol)
Good start. idk if you wanted technical feedback but the first thing I noticed is that your recording space doesn’t sound very treated at all. big echo/reverb, haha.
Performance wise, it sounded very back and forth if you knew who you were talking to and why (if that makes sense). For example, the ending tag line for both of yours are pretty on point, but the opening phrase for priceline sounded like it was a (internal) question, more than statement (then followed by the rhetorical question). Or at the beginning of the Bank ad, “Go for it” almost sounds like a deadpan challenge instead of an encouragement.
Overall a few things need tweaking but I think youre on the right track.
[[Disclaimer: I’m a rookie with ADHD. Sometimes I hyper-focus on something negligible and other times I make out-right ‘bad’ calls based on something I (wrongly) idealize. Also conversely, I can miss an elephant in the room. I focus on constructive criticism on the basis of improvement, so it may not be apparent how good I think a recording is; it’s not because I don’t want to gush about all the awesomeness 🙂 ]]
I second that occasionally the pauses threw off the rhythm a bit. Other than that, the second one (purina) had background noise and a bit of reverb going on especially in “To help pet owner make a better place for pets!”.
I’ll avoid hardware feedback unless you want it. The second read was definitely stronger. I can’t tell you what Darth Maul sounds like either, but that’s the beauty of voiceover – uniqueness! (unless you’re an impressionist focus). I will say pumping up your sinister energy is working for you, there’s like a bit of s****m in each beat. I’m reminded of Scar from The Lion King pacing back and forth with his evil plans (mwhaha!). I think it’s an inner monologue so balancing over-acting with tepidity is probably the greatest challange. Strictly for practice, you can try adding a thoughtful conniving “Hmmm” after each thought to help frame the spontaity of the scene.
You knocked it out of the park, my man! I’m jealous of the gravitas you have, haha.
Only thing I can really notice is the ‘s’ sounds really tend to blend into the adjacent letters when you speak. Might have to do a few regimines of “She sells seashells by the sea shore” type of enunciation practice. Once you’ve nailed that down, I wouldn’t hesitate to hire you.
Really good! but slow down! haha. If nothing else, the listener has to have time to process what you say. I have the exact same problem when I’m nervous so don’t put yourself in a catch-22; kinda just remember to be proudly plodding each sentence you make with distinction.
Also there was a varying amount of mouth clicks or something, especially noticeable in the first suave ad. seemed like every other word. Once you kinda tame those things you should be good to go otherwise!
[[Disclaimer: I’m a rookie with ADHD. Sometimes I hyper-focus on something negligible and other times I make out-right ‘bad’ calls based on something I (wrongly) idealize. Also conversely, I can miss an elephant in the room. I focus on constructive criticism on the basis of improvement, so it may not be apparent how good I think a recording is; it’s not because I don’t want to gush about all the awesomeness 🙂 ]]