Select a past contest
Committee for Cleaner Elections: October 1, 2023 - December 31, 2023
American Life Investment: July 1, 2023 - October 3, 2023
Apple iPhone 14 TV Commercial: April 1, 2023 - June 30, 2023
Committee for Cleaner Elections
October 1, 2023 - December 31, 2023
Contest
Voice Direction:
This simulated audition requires a strong voice that will cut through the noise out there, will resonate with the public, and will make a statement.
Script:
Smear campaigns…mud slinging…twisting the truth.
Why do politicians resort to such underhanded tactics?
Hey you want our vote?
Well then it’s time to level the playing field.
This election season, advocate for a clean election process.
Paid for by the Committee for Cleaner Elections.
Analysis: Why the Winners Won ...
and Why Others Didn't.
Congratulations to Tony Beltran, Hollie Parker, and Greg Beastrom. In this simulated voice acting audition about political behavior, they showed they understand the norms and staked out fresh positions. Here are some tips to help you get clients’ votes in your future auditions.
But first, a note: You should review the recording of Chief Edge Officer David Goldberg’s January 4, 2024 live session, where he – and a wide range of voice actors – review a random selection of this contest’s entries. It gives special insight into the casting review process – a look (and listen) into how a casting person quickly moves through hundreds of submissions to create their shortlist. But — unlike real casting projects — David explains what casting teams listen for and how their decisions are made.
Watch David Goldberg review and explain why some entries wouldn’t make the cut, some get short-listed, and one gets cast.
EDGE STUDIO TIP 1: Before you record, read the direction. It’s like the opening remark we often hear on self home improvement shows: “Read and understand the instructions, and always wear your safety glasses.” Understanding is key. Sometimes the direction doesn’t clearly tell you exactly what the client wants to hear. It’s up to you to sort it out. For example, the voice direction in this audition asks only for a “strong voice that will cut through the noise out there.” What noise? Literally background noise? Or figurative political “noise”? Or commercial clutter? What? There are some further clues: “resonate with the public” and “make a statement.” But those, too, could mean many things. As the VO talent, you need to decide if it calls for you to be confident, authoritative, personal, trustworthy, angry, having an attitude, imposing and forceful, empathetic, whatever. Thinking about such things will help you focus your performance to make it on-target yet distinctive. More generally, the thought process will help develop your acting sensibilities. With experience, you’ll gain insight into what choices most people would make, potentially helping you to avoid or build on those choices and make the script your own.
As for the safety glasses, see the next tip.
EDGE STUDIO TIP 2: Learn and follow VO fundamentals. All Voice Over genres share a range of fundamental performance requirements. For example …
- Enunciate.
- Flow your speech, don’t be choppy; don’t pause too much, and avoid glottal stops (momentary closing of your throat before a vowel).
- Speak naturally — not like you’re reading, not theatrically, not announcery.
- Be technically correct — for example, don’t distort, don’t have too low a volume, do record on both speakers but not stereo.
- Don’t go too fast.
These and other VO fundamentals are more important in some genres than others, and there are exceptions (certain character roles, for example), but in any genre, if you don’t have these basic performance qualities, you’ll will be heard as a non-professional within seconds. A good VO coach will teach you these and other fundamentals early in your training.
EDGE STUDIO TIP 3: Use body language to help express emotion. Any physical movement comes out in your voice. You should maintain a consistent distance to the mic, and shouldn’t rustle your clothing, but otherwise, anything goes.
For example, in this script consider the words, “Hey you want our vote?” Do you want to punch up your energy on the word, “Hey”? There are various ways to do that. One would be to poke with your finger, as you would impolitely poke in the chest someone you’re talking to. You might even poke yourself in the chest. It’s unusual, but that poke will go straight to your mind, affecting your emotional expression and even physiologically.
Poking yourself is a more extreme movement than you would usually use. Usually, your body language may be as simple as a wave of your hand. Or pointing at bullet points in the air as you go through a list. Of course, don’t hurt yourself, don’t overdo it, and if a self-poke or thump is audible, edit it out.
EDGE STUDIO TIP 4: Understand how audition screening works. Listen to the Contest Review session we’ve linked to above. David Goldberg (Founder and Chief Edge Officer) explains how and why an audition screener typically listens to just the first few seconds before moving on. So, while all of the script is important, the first word is especially so. (It’s important in the final production, too!) The opening needs to be clearly understood (not rushed) and should convey appropriate energy.
By the way, if you submit two takes, mention it at the outset (simply say, “Two takes”), and be sure they are significantly different from each other. (If they’re essentially the same, you’ll have wasted the screener’s time and will be thought a poor judge of your work, with limited range of talent.) If one version takes liberties with the Direction, put it second; the first take should be the one that the client expects.
Winners
1st place winner: Tony Beltran
Judge's Comments
Very good. He totally nailed the requested emotion, has good variety, and great pacing. However, his speech is a teeny bit slurred at times, and the word “field” sounds like “feel.” the last sentence is too fast. As for technical quality, it’s good, but perhaps a bit muddy.
Recording submitted by Tony Beltran
on 22 Dec 2023 - 18:37
2nd place winner: Hollie Parker
Judge's Comments
Overall, she’s terrific. We think she could have a bit more anger in her voice. Also, the whole spot comes across a bit too slow, especially the part about “mud slinging…twisting the truth.” It’s much too slow. Oddly, “cleaner elections” is too fast. Technically, her sound is a little bit muddy, but not so much that a coach can’t help her fix it. Also, we hear some noise, which is probably electronic, rather than an appliance or ventilation.
Recording submitted by Hollie Parker
on 30 Dec 2023 - 18:09
3rd place winner: Greg Beastrom
Judge's Comments
His performance is good, but he should have paused after the first phrase — the script has an ellipse there. (The pause could be because visuals change, or maybe the client wants viewers to have time to absorb the statement before going onto the next thought.) And we’d like to hear him being more upset as he says, “Why do politicians resort to such underhanded tactics? Hey you want our vote?” The technical quality is very good.
Recording submitted by Greg Beastrom
on 28 Dec 2023 - 19:27
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on 29 Nov 2023 - 19:13
Melanie Lingenfelter's recording
Recording submitted by Melanie Lingenfelter
on 29 Nov 2023 - 19:11
Glen Ross's recording
Recording submitted by Glen Ross
on 29 Nov 2023 - 18:01
Susan Rasmussen's recording
Recording submitted by Susan Rasmussen
on 28 Nov 2023 - 21:06
Chris Neil's recording
Recording submitted by Chris Neil
on 27 Nov 2023 - 20:06
Joseph Thompson's recording
Recording submitted by Joseph Thompson
on 27 Nov 2023 - 17:56
Iris Morera's recording
Recording submitted by Iris Morera
on 27 Nov 2023 - 00:14
Mason Skyler's recording
Recording submitted by Mason Skyler
on 26 Nov 2023 - 20:47
Cyndi Stark's recording
Recording submitted by Cyndi Stark
on 22 Nov 2023 - 01:35
Joseph Thompson's recording
Recording submitted by Joseph Thompson
on 21 Nov 2023 - 17:32
Steven Warren's recording
Recording submitted by Steven Warren
on 20 Nov 2023 - 23:27
Debbie Randall's recording
Recording submitted by Debbie Randall
on 19 Nov 2023 - 21:14
Khanyisile Mahlangu's recording
Recording submitted by Khanyisile Mahlangu
on 17 Nov 2023 - 17:22
Mitch Crawford's recording
Recording submitted by Mitch Crawford
on 14 Nov 2023 - 17:57
Toshi Jones's recording
Recording submitted by Toshi Jones
on 14 Nov 2023 - 15:50
Ro Dempsey's recording
Recording submitted by Ro Dempsey
on 13 Nov 2023 - 18:31
Joshua Eton's recording
Recording submitted by Joshua Eton
on 12 Nov 2023 - 15:27
Joshua Eton's recording
Recording submitted by Joshua Eton
on 12 Nov 2023 - 15:25
Nia Roe's recording
Recording submitted by Nia Roe
on 11 Nov 2023 - 04:35
James Lacey III's recording
Recording submitted by James Lacey III
on 8 Nov 2023 - 22:43
rob lindsay's recording
Recording submitted by rob lindsay
on 4 Nov 2023 - 21:53
Maxwell Gong's recording
Recording submitted by Maxwell Gong
on 4 Nov 2023 - 21:39
Anthony Boudreau's recording
Recording submitted by Anthony Boudreau
on 3 Nov 2023 - 22:33
Steven Carmichael's recording
Recording submitted by Steven Carmichael
on 3 Nov 2023 - 12:11
GM Hakim's recording
Recording submitted by GM Hakim
on 2 Nov 2023 - 15:44
Patrice Smith's recording
Recording submitted by Patrice Smith
on 31 Oct 2023 - 23:45
Joseph Thompson's recording
Recording submitted by Joseph Thompson
on 31 Oct 2023 - 18:24
Gift Enyadike's recording
Recording submitted by Gift Enyadike
on 28 Oct 2023 - 22:59
Lucy Wang's recording
Recording submitted by Lucy Wang
on 27 Oct 2023 - 18:01
Wilber Callejas's recording
Recording submitted by Wilber Callejas
on 26 Oct 2023 - 16:05
Alice Zhang's recording
Recording submitted by Alice Zhang
on 26 Oct 2023 - 15:34
Trisha Reddy's recording
Recording submitted by Trisha Reddy
on 26 Oct 2023 - 15:30
Ryan Duncan's recording
Recording submitted by Ryan Duncan
on 26 Oct 2023 - 08:02
Victoria Pero's recording
Recording submitted by Victoria Pero
on 25 Oct 2023 - 22:51
Tyrel Miller's recording
Recording submitted by Tyrel Miller
on 25 Oct 2023 - 21:12
John Skovmand's recording
Recording submitted by John Skovmand
on 24 Oct 2023 - 00:14
TImothy McCaffrey's recording
Recording submitted by TImothy McCaffrey
on 23 Oct 2023 - 21:51
Michael Robinson's recording
Recording submitted by Michael Robinson
on 23 Oct 2023 - 03:33
Kevin Park's recording
Recording submitted by Kevin Park
on 22 Oct 2023 - 04:48
Kevin Park's recording
Recording submitted by Kevin Park
on 22 Oct 2023 - 04:45
Nicholas Burton-Howat's recording
Recording submitted by Nicholas Burton-Howat
on 20 Oct 2023 - 15:53
Daniel LaRiviere's recording
Recording submitted by Daniel LaRiviere
on 19 Oct 2023 - 23:28
Ian Grimley's recording
Recording submitted by Ian Grimley
on 17 Oct 2023 - 23:10
Ian Grimley's recording
Recording submitted by Ian Grimley
on 17 Oct 2023 - 21:22
Michael Yont's recording
Recording submitted by Michael Yont
on 17 Oct 2023 - 18:35
Timothy David's recording
Recording submitted by Timothy David
on 12 Oct 2023 - 23:32
ELIZABETH SCHREIBER's recording
Recording submitted by ELIZABETH SCHREIBER
on 11 Oct 2023 - 23:41
Anthony Sena's recording
Recording submitted by Anthony Sena
on 11 Oct 2023 - 03:38
Sean Andersen's recording
Recording submitted by Sean Andersen
on 10 Oct 2023 - 18:58
Steve Stansell's recording
Recording submitted by Steve Stansell
on 10 Oct 2023 - 16:59
Lawrence Briskey's recording
Recording submitted by Lawrence Briskey
on 9 Oct 2023 - 19:22
Jan David's recording
Recording submitted by Jan David
on 8 Oct 2023 - 00:04
