VO Casting
& Recording
VO Training
& Demos
Speaking &
Presentations

Free Audition Tips

Super helpful, and free!
Email(Required)
This field is for validation purposes and should be left unchanged.

Send a Quick Message

  • We'll reply weekdays 9am-5pmET. Or call us at 212-868-3343. Or email us at Training@EdgeStudio.com. Thank you 🙂
  • This field is for validation purposes and should be left unchanged.

Results of Past Contests
Winners • All entries • Prizes • Written assessments • Video-reviews with David Goldberg

For the current contest, click here.

Select a past contest
Charleston, South Carolina: February 1, 2021 - February 28, 2021
Real Estate Video: Intro: January 1, 2021 - January 31, 2021
Nissan Certified Pre-Owned: December 1, 2020 - December 31, 2020

Charleston, South Carolina

February 1, 2021 - February 28, 2021
Contest

Voice Direction:

This is a simulated audition from a local tourism board of their new self-guided walking tour.  We’re seeking a conversational read from someone who has a true passion for history and exploring. Someone who’ll keep our listeners engaged. We welcome true (natural) South Carolina accents (please do not put on an affected accent) as well as all other voice types. No slate.

Script:

Our welcome mat is this original cobblestone street. From here, together, we'll explore the sights, sounds, and flavors only found in one place: right here in Charleston, South Carolina. And you'll learn that the stories you’ve heard about our legendary hospitality are true.

Analysis: Why the Winners Won ... and Why Others Didn't.

Congratulations to our winners, Nadine Simmons, Issac Versaw, and Chris Bookless.

By being simultaneously conversational, passionate about the subject, and informative, they threaded the needle and made this tour feel like a walk in the park. They also stood out from the many other professional-sounding reads that tended to sound alike. Here are tips on recording audition and jobs of this nature, as well as making your next read more distinctive.

Edge Studio VO Tip #1
Keep up your energy, don’t sound bored.  Many entrants sounded too pedantic, or like an unemotional narrator. Given the direction to be “conversational,” maybe they were trying to avoid sounding “announcery.” Or maybe they mistook the direction to mean a low-key, professorial tone, slowed down a bit to facilitate note-taking.  Whatever the reason, they missed the “true passion” target.  As Yogi Berra might have said, “The solution is partly all in the mind.” Before you record, convince yourself that you do know a lot about Charleston.  Then think of yourself as living there and giving a personal tour to a visiting friend.  And there really is another part, which is physical: Pump up your adrenaline a bit, maybe by taking a hop or two before you record, or using body language as you perform, such as gestures. (Keep your mouth a constant distance to the mic.) It all comes out in your voice.
Edge Studio VO Tip #2
Read and follow directions.  This is crucial when taking medicine for your personal health.  It’s also very important to your professional health. Casting screeners figure that if you can’t read and follow simple instructions, such as slating, then they can’t rely on you to follow their instructions. So, remember … before you make your mp3 to send off, read the instructions one more time and listen to your recording again. Did you get it all, correctly?
Edge Studio VO Tip #3
Smooth out your delivery.  If there is one issue that occurs again and again in our monthly audition contests, it’s “choppiness.”  It’s right up there with clarity and energy and few other things in how it affects a reviewer’s opinion of your performance. This month, even more people than usual sounded choppy.  Just three of our top 10 picks were smooth.  Even if we felt their voices were not optimal for this self-guided tour, we’d greatly consider hiring them for that ability.
Especially, consider the line, “From here, together, we’ll explore the sights, sounds, and flavors only found in one place…”  Nine out of ten submissions paused – sometimes lengthily – at every comma. It’s incumbent on you – the voice actor – to use professional judgment when determining whether or not to read the punctuation.  For example, some commas exist only because English grammar requires them. Sometimes the scriptwriter might not know where to use a comma, or is unaware that talent will try to pause there. On the other hand, if you see a comma where a writer would not ordinarily put one, that probably does mean to briefly pause.
Depending on the VO genre, sometimes you’ll also need to pause (at least give a “clean break”) for other reasons.  For example: to allow editing to match the video, or for sound effects, or to let a complex thought to sink in, or for comedy timing or to accommodate an expected laugh.  The trick is to pause where you should, and — between those breaks — make yourself smooth and natural.  Let’s hear less of Mr. Stick Cahto and more of Ms. Flo Smoothly.

Edge Studio VO Tip #4
Set yourself apart from the crowd in good ways, not bad.   This tip includes the important pointers we’ve already mentioned, and a world of performance errors and technical sins.  A number of people delivered great reads, but their acoustics made them sound unprofessional. There were even a few really nice accents ruined by bad home studio quality.
To start, put yourself in the place of the person who screens auditions. They (and we at Edge) often get hundreds of submissions to a single audition, and might be reviewing many auditions a day.  After the first 5 or 10 recordings, most reads start sounding pretty much the same. Sometimes EXACTLY the same.  So – although in this contest we listen to every submission – in a real-world audition, the screener typically listens as far as they feel a need to. And then they move on.
Here are just some of the things that make them bail:
  •  The read is not professional.
  •  The talent didn’t follow specs.
  •  It sounds like all the others.
  •  Words are slurred, inaudible or lazily pronounced. (IMPORTANT: In this month’s auditions, we heard a lot of “welcome mah” and “cobblestone stree.”)
  •  The recording has a serious technical issue, such as noise, distortion, stereo audio (your auditions should be mono, identical on both channels), poor studio acoustics, unrequested music or SFX, or very low volume.
We realize that some contest participants are just getting started, so we don’t expect perfection in every entry. But learn and do what you can, because in a real audition situation, the audition screener will not be so tolerant.
We have various courses to help you become more professional or raise you to the next level.  Consider these classes that can improve your reads and help you get a better understanding of a professional home studio set up and sound:
Winners

1st place winner: Nadine Simmons

Judge's Comments

She sounds as if she truly loves this town and is excited to show it to you.  That is, we hear real passion. This is what won her First Place.  We also like that she interpreted well, hitting the word “cobblestone” rather than street. (Remember – this is a walking tour … it’s not news to the listener that they’re standing at a street. Some people hit “original” which is another good alternative.) However, some words are slurred or unfinished (e.g., “right” has no T). And she “swallows” certain words (such as “flavors”) causing it to seem as if the audio is fading in and out.  Although her overall read is smooth, various words have a staccato quality (such as “cobblestone” and “together”) that she should learn to turn on and off as desired.  The recording quality is marginal, as it has system noise, loud breaths, mouth noise and is a bit muddy.

Recording submitted by Nadine Simmons on 23 Feb 2021 - 16:08

2nd place winner: Isaac Versaw

Judge's Comments

Overall, he has a nice, steady, natural, enthusiastic delivery.  It’s a little choppy at the start, but nevertheless is one of the smoother auditions this month. Very good enunciation. In fact, it’s even a smidge too articulate at times. But lowering a “T” sound is not difficult or time-consuming for the recording engineer, so it’s better to overdo the T, rather than missing it altogether. Recording quality is good.

Recording submitted by Isaac Versaw on 26 Feb 2021 - 16:51

3rd place winner: Chris Bookless

Judge's Comments

He’s in our top three because he connected words that belong with other words. Thank you, Chris, for being smooth. For example, “From here, together”. The comma isn’t really necessary, and so he phrased it smoothly – sounding natural – so that “together” didn’t get undue emphasis.  Another example is “Charleston, South Carolina.” The comma is just because it’s required in written English, but the listener surely knows which “Charleston” he means, so there’s no reason to pause and emphasize the state.  He made it a smooth phrase. A bit more smile would have helped him convey more passion for the city. And we would have directed him to hit “one” in the phrase “only found in one place…” since “one” is more important than “place.”  Recording quality is good.

Recording submitted by Chris Bookless on 25 Feb 2021 - 19:31
All Entries

To Find A Specific Entry:

On a PC, click “control” and “f” to search for a username

On a MAC, click “command” and “f” to search for a username

Isaac Versaw's recording

Recording submitted by Isaac Versaw on 26 Feb 2021 - 16:51

Tom Gregory's recording

Recording submitted by Tom Gregory on 26 Feb 2021 - 16:11

Troy (Toque) Speck's recording

Recording submitted by Troy (Toque) Speck on 26 Feb 2021 - 16:09